8 Best Monitors for Film Editing in 2022

Since film editing is a highly professional work and requires specific set of tools, a specialized monitor becomes an crucial investment In this article, we will try to find the best monitors for film editing for you.

Generally with film editing you deal with long timelines and a multitude of views and windows open at the same time. You need a monitor that can handle and fit all that.

Therefore, whatever we recommend will definitely NOT be your average budget oriented monitor. Here we will look at monitors that are large and provide ample real estate for multitasking.

If there is one field where multitasking monitors are a necessity, it is film editing. We will learn more about the various features for a film editing display in the FAQ section.

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Product Name



Panel Type

Total Colors

Color Features

Check Price

LG 29WK600-W 29' UltraWide 21:9 WFHD (2560 x...


2560 x 1080


16.7 Million
(8 Bit)

300 nits, 99% sRGB, HDR10

LG 34WK650-W 34' UltraWide 21:9 IPS Monitor...


2560 x 1080


16.7 Million
(8 Bit)

300 nits, 99% sRGB, HDR10

BenQ PD2700Q 27 inch QHD 1440p IPS Monitor |...


2560 x 1440


1.07 Billion
(10 Bit)

350 nits, 100% sRGB, REC 709

SAMSUNG 34-Inch SJ55W Ultrawide Gaming...


3440 x 1440


16.7 Million

(8 Bit)

300 nits, 3000:1 Static Contrast Ratio

LG Electronics 34UB88-P 34' LED/LCD Monitor...


3440 x 1440


1.07 Billion

(10 Bit)

300 nits, 100% sRGB

SAMSUNG J791 Series 34-Inch Ultrawide QHD...


3440 x 1440


16.7 Million

(8 Bit)

300 nits, Quantum Dot Display, 125% sRGB, 90% Adobe RGB

LG 38UC99-W 38-Inch 21:9 Curved UltraWide...


3840 x 1600


1.07 Billion

(10 Bit)

300 nits, 99% sRGB

ASUS PA329Q 32' 4K/UHD 3840x2160 IPS HDMI Eye...


3840 x 2160


1.07 Billion Native | 14 Bit LUT with 4.39 Trillion Colors Processing

350 nits, 100% Adobe RGB, 100% sRGB, 100% Rec. 709, 90% DCI-P3, Rec 2021, 14 Bit LUT, Delta E < 2

List of Best Monitors for Film Editing

We have selected the following monitors for this list.

  1. 1
    LG 29WK600-W – 29 Inch – Full HD with sRGB
  2. 2
    LG 34WK650-W – 34 Inch – Full HD with sRGB
  3. 3
    BenQ PD2700Q – 27 Inch WQHD with Rec. 709
  4. 4
    Samsung SJ55W – 34 Inch – Ultra WQHD
  5. 5
    LG Electronics 34UM88-P – 34 Inch – Ultra WQHD with sRGB
  6. 6
    Samsung C34J791 – 34 Inch – Curved with Thunderbolt 3.0 for Mac
  7. 7
    LG 38UC99-W – 38 Inch – When Size Matters
  8. 8
    ASUS PA329Q – 32 Inch – 4K with DCI P3, Rec. 709, Rec. 2021

8 Best Monitors For Film Editing Reviewed

We will look at our selection briefly and tell you the essential features that separates each from the other.

1. LG 29WK600-W – 29 Inch – Full HD with sRGB

LG 29WK600-W 29" UltraWide 21:9 WFHD (2560 x...
  • 29 inch ultra wide 21:9 full HD IPS monitor
  • HDR10 compatible
  • AMD free sync technology
  • sRGB 99% Color Gamut

We have recommended that you go 21:9 ultrawide monitors instead of the normal 16:9 for film editing purposes (see FAQ section).

This is the most affordable 29 inch option with a 21:9 aspect ratio.

This is a great option for those who cannot afford the larger 34 inch ultrawide monitors.

The 29 inch has about 30% more real estate than a conventional 24 inch monitor. Also, since this monitor costs almost the same as a professional 24 inch monitor, then why not get this instead?

This monitor has a resolution of 2560×1080. This is commonly abbreviated as FHD+ since this is higher than the normal FHD 1920×1080 resolution.

Other than that, this monitor also includes color precision features like 99% sRGB coverage. sRGB defines the industry standard for digital media. Therefore, if you are planning on creating videos for the online sphere like making youtube videos, then this will help.

It also offers other features like on-screen split and AMD Freesync. Although they won’t matter much with film editing efforts, they are still great to have.

In the end, if you want an affordable option, then this is one of the best monitors for film editing.

You will also like the best ultrawide monitors for photo editing.

Quick Look

Essential: IPS, 29″, 2560 x 1080, 99% sRGB, HDR10, AMD FreeSync
Connections: 2 x HDMI, DisplayPort
Response Time: 5 ms

  • A 29 inch screen with 21:9 aspect ratio for better editing at an affordable rate.
  • The screen is 30% bigger than conventional 29 inch screen giving more space to work with details.
  • For excellent pixel quality a FHD+ resolution featuring 2560×1080.
  • Provides coverage for the 99% of sRGB color space for digital media which is required for editing.
  • AMD FreeSync giving stutter free screen.
  • Poor ergonomics due to the lack of adjustability.
  • Custom monitor presets cannot be saved.
  • No speakers are present.
  • Doesn’t cope with the DisplayHDR 400 standard.

2. LG 34WK650-W – 34 Inch – Full HD with sRGB

LG 34WK650-W 34" UltraWide 21:9 IPS Monitor...
  • 34 inch ultrawide 21:9 full HD IPS monitor...
  • HDR10 compatible; Tilt (Angle): 5 to15 Degree
  • AMD free sync technology
  • SRGB 99 percent color gamut

This is much similar to LG 29WK600-W above, however, it boasts a much larger 34 inch screen size. The great thing about this monitor is that it is highly affordable for its size.

The only drawback on this monitor is that despite having a large size, it only offers FHD+ resolution. For most, this would be lacking. Most would expect a monitor of this size to at least offer WQHD resolution.

Unfortunately, WQHD 34 inch monitors are expensive and thus not suitable for everyone. This monitor does have other great features especially in the color department.

Firstly it has 99% sRGB coverage. Along with that, it offers support for HDR10. Therefore, as far as the colors are concerned, you will love this monitor.

All in all, if you want an affordable but a larger option, then we recommend this as one of the best monitors for film editing.

Quick Look

Essential: IPS, 34″, 2560 x 1080, 99% sRGB, AMD FreeSync
Connections: 2 x HDMI, DisplayPort
Response Time: 5 ms

  • A larger 34 inch display is offered providing editor to work with the details on a wider frame.
  • Covers the sRGB space 99% along with providing HDR10 support giving excellent picture quality along with allowing to work with digital media space.
  • Although the screen is bigger the resolution is still stuck at FHD+ which is not good enough.
  • Doesn’t offer good ergonomics which in turn means bad adjustability.

3. BenQ PD2700Q – 27 Inch WQHD with Rec. 709

BenQ PD2700Q 27 inch QHD 1440p IPS Monitor |...
  • 27" IPS 2560x1440 QHD Resolution, Signal...
  • 100% Rec. 709 and sRGB for optimal color...
  • DualView Function to split screen into two...
  • Display Pilot Software for Customized Monitor...

If you are looking for a professional monitor that covers the Rec. 709 color space then this is highly recommended.

If you are a professional film editor, you would certainly know how important it is to work within an industry defined color space for a certain medium. Rec. 709 is the color space defined for HD videos.

Therefore, if you are producing content to be watched on TV, then this is one of the best monitors for film editing.

If you are creating content for digital medium like monitors and smartphones, then this monitor also covers the sRGB color space.

Furthermore, this monitor comes with a plethora of modes that can help you with your creation. It has a CAD/CAM mode if you are into engineering simulations.

It also has Animation mode that should seriously come in handy in the film creation. Lastly, it comes with a Darkroom mode for post processing environments.

You may also be interested in best budget monitors for graphic design.

Quick Look

Essential: 27″, 2560×1440, IPS, 100% sRGB coverage, Rec. 709
Ergonomic Stand
Connections: HDMI 1.4, DisplayPort, Mini DisplayPort, USB Hub
Built in Speakers: 2 x 1 Watt

  • The HD videos color space Rec. 709 is covered by this device along with the sRGB space providing the editor the opportunity to work with HD movies.
  • Has special modes for CAM/CAD making working with tools easier and Darkroom for post processing.
  • List Element
  • A very low volume speakers is in-built.
  • Reported to have issue with input lag.
  • List Element

4. Samsung SJ55W – 34 Inch – Ultra WQHD

On Sale Today
SAMSUNG 34-Inch SJ55W Ultrawide Gaming...
  • AMD FREESYNC synchronizes the refresh rate of...

This is our top recommended best monitor for film editing. This is because it combines functionality as well as affordability and therefore it would interest a vast majority of the people.

For starters, this monitor has a 34 inch display with Ultra WQHD resolution. This resolution is ideal for monitor of this size.

A larger resolution like this means you get a lot of pixels to work on. If you are dealing with long timelines and a lot of views, then you need a high resolution and screen real estate that can fit all that.

Besides that, this monitor also offers PIP/PBP feature. These two features allows you to display two video sources simultaneously on the display and also allows you adjust the screen of each source.

As far as the colors are concerned, since this monitor offers a VA panel, they are not as great as those produced by IPS panel.

However, it does offer one of the highest static contrast ratio of 3000:1. Therefore, if you want to see deeper blacks, then this would interest you.

Quick Look

Essential: VA, 34″, 3440×1440, PIP/PBP, AMD FreeSync, 75 Hz
Connections: 2 x HDMI, DisplayPort
Response Time: 4 ms

  • A wide 34 inch with WQHD resolution giving excellent pixel density.
  • Monitor provides PIP/PBP feature connecting two video sources simultaneously on one display.
  • Offers high static contrast ratio of 3000:1 giving beautiful colors.
  • Offers a VA panel which does not provide as good reproduction as IPS.
  • The design allows only tilt movement which makes it difficult for the adjustability.
  • List Element

5. LG Electronics 34UM88-P – 34 Inch – Ultra WQHD with sRGB

LG Electronics 34UB88-P 34" LED/LCD Monitor...
  • Screen Size: 34"
  • Recommended Resolution: 3440 x 1440 (2K);...
  • Contrast Ratio: DFC Mega (1,000:1)
  • Connectors: HDMI, DisplayPort, USB

This is yet another highly recommended monitor from our side.

As far as the price is concerned, this is somewhere in between the cheapest and the most expensive spectrum of ultrawide monitors.

This mid range beauty is built with film editing in consideration. As such this could well be the best monitor for film editing for you if your budget allows.

This monitor offers a WQHD resolution as well as 99% sRGB coverage thanks to its IPS panel.

One of the greatest feature of this monitor is that it incorporates 2 x thunderbolt 2.0 ports for interfacing with devices. Note that a thunderbolt 2.0 is not the same as Thunderbolt 3.0 USB Type C.

Furthermore, this monitor incorporates plethora of features like USB 3.0 Quick Charge port, Screen Split function, and AMD FreeSync.

Quick Look

Essential: IPS, 34″, 3440×1440, 99% sRGB, AMD FreeSync
Connections: 2 x HDMI, DisplayPort, 2 x Thunderbolt 2.0, USB Hub
Response Time: 5 ms

  • The high quality IPS panel offer WQHD resolution giving better pixel quality along with coverage of 99% sRGB allowing to work with the digital media color space.
  • It has two Thunderbolt 2.0 ports and USB 3.0 quick charge port enhancing connectivity.
  • It offers Screen Split functionality allowing great multitasking
  • AMD FreeSync feature for gamers
  • It is not factory calibrated with Delta E < 2 which reduces color accuracy.
  • It doesn’t cover color spaces like Rec. 709 and DCI P3 making it unsuitable for HD movies creators.

6. Samsung C34J791 – 34 Inch – Curved with Thunderbolt 3.0 for Mac

On Sale Today
SAMSUNG J791 Series 34-Inch Ultrawide QHD...
  • First Curved monitor with Intel Thunderbolt 3...
  • One cable to Link and dock monitor and laptop
  • Tbt3 offers 40 Gaps processing speed - - 4x...
  • Connectivity available for docks, displays...

So you want a high standard monitor that connects with Mac? Be warned, however, that you will need to pay a hefty amount in order to enjoy this piece of beauty.

Now, the price of this monitor is justifiable. This monitor offers WQHD resolution on a 34 inch monitor. As far as the resolution and screen size is concerned, there is nothing extraordinary. You can get these at half the price as seen with Samsung SJ55W.

The distinguishing aspects of this monitor include curved display, 2 x thunderbolt 3.0 (USB Type C) ports and of course, the exclusive Quantum Dot display.

This monitor is perhaps the best in terms of color reproduction. It offers an sRGB coverage of not just 99% but 125%. Along with that it comes factory calibrated colors so you don’t have to spend hours tweaking it.

Lastly, this has a static contrast ratio that is thrice the conventional monitors thanks to its VA panel. Therefore, as far as the colors are concerned, this is one the best monitors for film editing.

It also boasts a refresh rate of 100 Hz. As you may know, conventional monitors have a refresh rate of merely 60 Hz. A higher refresh rate makes your motion smoother and also puts less strain on your eyes.

With all these aspects combined, the price for this monitor is quite justified. This monitor also offers fairly loud speakers.

Quick Look

Essential: VA, 34″, 3440×1440, 125% sRGB, AMD FreeSync, 100 Hz Refresh Rate, PBP/PIP
Connections: 2 x USB Type C (Thunderbolt 3), DP, HDMI, USB Hub
Response Time: 4 ms
Speakers: 2 x 7 Watts

  • A 34 inch curved screen bearing WQHD resolution accompanying with Quantum Dot display brings life to pictures.
  • It has two Thunderbolt 3.0 ports increasing data transfer rate.
  • It covers 125% of the sRGB color space giving access to work with digital media space.
  • Comes factory calibrated.
  • A higher refresh makes videos smoother – this is especially a great feature for gamers.
  • Excellent static contrast ratio due to the VA panel producing high quality images.
  • A very expensive product only suitable for an editor who knows how to utilize all the features.
  • It doesn’t cover any other gamut other than the sRGB.
  • Does not offer HDR.
  • Lack of an ergonomic stand gives bad adjustability settings.

7. LG 38UC99-W – 38 Inch – When Size Matters

LG 38UC99-W 38-Inch 21:9 Curved UltraWide...
  • 38" 21:9 UltraWide Curved WQHD+ IPS Display
  • Response Time: 14ms / 5ms GTG, 1ms Motion...
  • USB Type C & USB 3.0 Quick Charge
  • AMD FreeSync Technology

So when it comes to displays especially for work like film editing, size matters. You simply cannot have enough of screen real estate for your timelines.

Therefore, if your budget allows, you should consider having a look at 38 inch ultrawide monitors.

This monitor boasts an IPS panel on a curved display housed on a 38 inch frame. It also offers WQHD+ resolution. This is much higher than the normal WQHD resolution. Therefore, you get more pixels on the screen.

One highly unique feature of this monitor is that it manages to offer a response time of 1 ms despite the fact that it has an IPS panel. Although the native response time is 5 ms GTG, its motion blur reduction technology allows it to maintain a response time of 1 ms.

If you know your panels well, then you will also know that 1 ms response is usually reserved for TN panel monitors.

Furthermore, this monitor offers 99% coverage of sRGB color gamut for great color details. It also offers USB Type C and USB 3.o quick charging port. You should be able to connect this monitor with a Macbook.

As far as the sound is concerned, this monitor excels in that. We know that sound isn’t a priority for most monitors. This monitor challenges that notion. It offers 2 x 10 Watt speakers with rich bass that can be connected via Bluetooth.

Quick Look

Essential: IPS, 38″, 3840 x 1600, 99% sRGB, AMD FreeSync, 1 ms response time
Connections: 2 x USB Type C (Thunderbolt 3), DP, HDMI, USB Hub
Response Time: 5 ms but with Motion Blue Reduction to 1 ms
Speakers: 2 x 10 Watts w/ Bluetooth connectivity

  • A wide 38 inch curved screen offering WQHD+ resolution giving aesthetic view of the images on bigger screen.
  • A very fast response time of 1 ms due to the motion blur reduction technology making working with motions easier.
  • Editors can work with digital media space due to the coverage of 99% of sRGB space.
  • It has USB type C and USB 3.0 quick charging port which means better connectivity options.
  • High volume speaker with option of Bluetooth connection can enable you to add and listen to better sound effects.
  • A very expensive choice making it popular only among experts.
  • It has a moderate static contrast ratio
  • It is not factory calibrated with Delta E < 2 which means lower color accuracy.
  • It lacks the support for many other color spaces

8. ASUS PA329Q – 32 Inch – 4K with DCI P3, Rec. 709, Rec. 2021

ASUS PA329Q 32" 4K/UHD 3840x2160 IPS HDMI Eye...
  • 32-Inch 4K UHD (3840 x 2160) resolution...
  • 100% rec. 709 & 99. 5% Adobe RGB true Color...
  • ASUS ProArt calibration technology with...
  • Compatible with major hardware calibrators...

If you are looking for the best stuff in the market for film editing, then firstly you have to make sure that you have fairly deep pockets. This is a monitor that can put serious dent in your wallet, but for all the right reasons.

This is a huge 32 inch monitor with a high end IPS display. This monitor not only covers the Rec. 709 color space for HD TVs, it also covers Rec. 2021 for Ultra HD TVs and DCI-P3 for projections devices like projectors.

On top of that, it not only covers the sRGB color space but also the Adobe RGB color space. Adobe RGB is generally considered to be reserved only for the cream of the high performance monitors. This color space is essential for producing content for print media like magazines.

Other than that, this monitor comes with several high end core features like a large 32 inch screen, 4k resolution, HDR 10 14 Bit 3D LUT that gives you 4.39 trillion colors, as well as factory calibration with Delta E < 2.

As far as the performance is concerned, this is one of the best monitors for film editing. However, it costs may put you off.

Quick Look

Essential: 32″, 3840×2160 IPS, 14-Bit 3D LUT, Delta E < 2 (Factory Calibrated), HDR10 Support, PIP/PBP
Speakers: 2 x 3 Watts
Connections: HDMI (v2.0) x4, Mini DisplayPort 1.2, DisplayPort 1.2, 5 x USB 3.0
Ergonomic Stand

  • Creme de la creme for editors and designers
  • Supports multiple color spaces including Adobe RGB for print media, sRGB for digital media, Rec. 709 for HD movies, Rec. 2021 and DCI-P3 for cinema movies.
  • It has a 4K resolution and HDR10 support making it the best for professional editors.
  • With Delta E < 2 factory calibration and a 14 Bit 3D LUT the color accuracy and variety is unbelievable.
  • Only for elite designers working in professional industry.
  • Despite being an elite display, there have been reports for brightness uniformity problems.
  • Inflexibility in the OSD calibration.

People Also Ask (FAQs)

What Features to Look for in the Best Monitors for Film Editing?

Preferences change from person to person. Some may have a constrained budget, whereas others might be looking for a specific feature. In general here is the break down of the features that should concern you.

Size and Resolution


This should be obvious. However, with other activities like gaming, size and resolution is a luxury. For you as a film editor, these features are a necessity.

As a rule of thumb, the larger the screen size and resolution, the more comfortable your editing efforts will be.

Why? because more than any other field, film editing requires the most screen real estate. You need to fit a plethora of views, windows, panels and, most importantly, the timelines on the display.

You need to fit all this while having sufficient space for the software workspace.

You can get multiple monitors to assist you with this or you can get a single ultra widescreen monitor with a large screen size.


color space

Although color enhancing features are more often used by photo editors and graphic designers, these features are also highly necessary for video editing.

Features like 100% coverage of sRGB or REC color gamut and HDR10 capability are some of the features that you may want.

Learn about the best monitors for content creators.


There are three types of panels that are widely used: TN, IPS and VA.

TN is worst in terms of color reproduction and suffers from bad viewing angles, however, it has the fastest response time and tends to offer higher refresh rates at a much cheaper price tag. Thus this panel is excellent for GAMING. As a film editor, stay away from these.

The most ideal is IPS. IPS has the best color reproduction and also wide viewing angles. You will often find that most high end professional monitors feature IPS panels.

VA panels are also great for colors and for film editing. They are often used in curved displays. The good thing about them is that they have the highest static contrast ratio and also do not suffer from backlight bleeding. As far as the colors are concerned, they offer superior colors to TN but they are not on par with IPS in the same price category.

Of course there are many types and grades of each panel type. An $800 IPS panel would not be the same as $150 IPS panel.

Other Important Features

There are many more features that you may be interested in such as:

  • PIP/PBP:
    This allows you to connect multiple sources to a single monitor and display them both at the same time next to each other.
  • High Refresh Rate:
    A higher refresh rate means smoother video. However, monitors with higher than the conventional 60 Hz refresh rate are expensive.
  • Design: 
    No one likes to work on a bland looking monitor. If you want to uplift the mood in your office, then design is essential. In that case, you can also look at monitors with curved displays that can also improve your immersion
  • Thunderbolt 3 USB Type – C:
    For the Mac users this is perhaps the most important feature. Therefore, if you are a Macbook user and want to connect via USB Type C, make sure that the monitor has that too.
  • Aspect Ratio:
    See below

This video explain what to look for in a film editing monitor.

What is an Aspect Ratio?

aspect ratio

We believe that the best monitors for film editing are those with an ultrawide aspect ratio of 21:9. Aspect ratio is basically a ratio of height vs the length. The conventional 16:9 monitors are called widescreen monitors whereas 21:9 monitors are called Ultra widescreen monitors.

Ultra widescreen monitors are the industry standard for anything related to professional content creation and for an industry like film editing, these are a perfect fit.

Ultra Widescreen monitors do not have to be expensive. You will notice that some cost almost the same as their 16:9 counterparts. For example, LG 29WK600-W costs almost the same as any professional 24 inch monitor. However, the larger you go, the more expensive they tend to get.


Here we looked at the best monitors for film editing from various sizes as well as price ranges.

While there are excellent 16:9 aspect ratio monitors our there, we believe that the right monitors for film editing are ultrawide monitors with 21:9 aspect ratio.

On top of that, we believe that a suitable film editing monitor should have decent colors and try to cover at least the sRGB color space for creating content for digital media like YouTube.

Of course, if you are working in a professional industry, then you will need a monitor that supports billions of colors, comes factory calibrated and offers color space coverage of gamuts like DCI-P3 or REC. 709/2021.

It goes without saying that the more color enhancing features a monitor possess the more expensive it tends to get.