8 Best Monitors for Film Editing in 2025

Monitors for Film Editing Compared

List of Best Monitors for Film Editing

We have selected the following monitors for this list.

1. LG 29WK600-W – 29 Inch – Full HD with sRGB

2. LG 34WK650-W – 34 Inch – Full HD with sRGB

This is much similar to LG 29WK600-W above, however, it boasts a much larger 34 inch screen size. The great thing about this monitor is that it is highly affordable for its size.

The only drawback on this monitor is that despite having a large size, it only offers FHD+ resolution. For most, this would be lacking. Most would expect a monitor of this size to at least offer WQHD resolution.

Unfortunately, WQHD 34 inch monitors are expensive and thus not suitable for everyone. This monitor does have other great features especially in the color department.

Firstly it has 99% sRGB coverage. Along with that, it offers support for HDR10. Therefore, as far as the colors are concerned, you will love this monitor.

All in all, if you want an affordable but a larger option, then we recommend this as one of the best monitors for film editing.

3. BenQ PD2700Q – 27 Inch WQHD with Rec. 709

If you are looking for a professional monitor that covers the Rec. 709 color space then this is highly recommended.

If you are a professional film editor, you would certainly know how important it is to work within an industry defined color space for a certain medium. Rec. 709 is the color space defined for HD videos.

Therefore, if you are producing content to be watched on TV, then this is one of the best monitors for film editing.

If you are creating content for digital medium like monitors and smartphones, then this monitor also covers the sRGB color space.

Furthermore, this monitor comes with a plethora of modes that can help you with your creation. It has a CAD/CAM mode if you are into engineering simulations.

It also has Animation mode that should seriously come in handy in the film creation. Lastly, it comes with a Darkroom mode for post processing environments.

You may also be interested in best budget monitors for graphic design.

4. Samsung SJ55W – 34 Inch – Ultra WQHD

This is our top recommended best monitor for film editing. This is because it combines functionality as well as affordability and therefore it would interest a vast majority of the people.

For starters, this monitor has a 34 inch display with Ultra WQHD resolution. This resolution is ideal for monitor of this size.

A larger resolution like this means you get a lot of pixels to work on. If you are dealing with long timelines and a lot of views, then you need a high resolution and screen real estate that can fit all that.

Besides that, this monitor also offers PIP/PBP feature. These two features allows you to display two video sources simultaneously on the display and also allows you adjust the screen of each source.

As far as the colors are concerned, since this monitor offers a VA panel, they are not as great as those produced by IPS panel.

However, it does offer one of the highest static contrast ratio of 3000:1. Therefore, if you want to see deeper blacks, then this would interest you.

5. LG Electronics 34UM88-P – 34 Inch – Ultra WQHD with sRGB

This is yet another highly recommended monitor from our side.

As far as the price is concerned, this is somewhere in between the cheapest and the most expensive spectrum of ultrawide monitors.

This mid range beauty is built with film editing in consideration. As such this could well be the best monitor for film editing for you if your budget allows.

This monitor offers a WQHD resolution as well as 99% sRGB coverage thanks to its IPS panel.

One of the greatest feature of this monitor is that it incorporates 2 x thunderbolt 2.0 ports for interfacing with devices. Note that a thunderbolt 2.0 is not the same as Thunderbolt 3.0 USB Type C.

Furthermore, this monitor incorporates plethora of features like USB 3.0 Quick Charge port, Screen Split function, and AMD FreeSync.

6. Samsung C34J791 – 34 Inch – Curved with Thunderbolt 3.0 for Mac

So you want a high standard monitor that connects with Mac? Be warned, however, that you will need to pay a hefty amount in order to enjoy this piece of beauty.

Now, the price of this monitor is justifiable. This monitor offers WQHD resolution on a 34 inch monitor. As far as the resolution and screen size is concerned, there is nothing extraordinary. You can get these at half the price as seen with Samsung SJ55W.

The distinguishing aspects of this monitor include curved display, 2 x thunderbolt 3.0 (USB Type C) ports and of course, the exclusive Quantum Dot display.

This monitor is perhaps the best in terms of color reproduction. It offers an sRGB coverage of not just 99% but 125%. Along with that it comes factory calibrated colors so you don’t have to spend hours tweaking it.

Lastly, this has a static contrast ratio that is thrice the conventional monitors thanks to its VA panel. Therefore, as far as the colors are concerned, this is one the best monitors for film editing.

It also boasts a refresh rate of 100 Hz. As you may know, conventional monitors have a refresh rate of merely 60 Hz. A higher refresh rate makes your motion smoother and also puts less strain on your eyes.

With all these aspects combined, the price for this monitor is quite justified. This monitor also offers fairly loud speakers.

7. LG 38UC99-W – 38 Inch – When Size Matters

So when it comes to displays especially for work like film editing, size matters. You simply cannot have enough of screen real estate for your timelines.

Therefore, if your budget allows, you should consider having a look at 38 inch ultrawide monitors.

This monitor boasts an IPS panel on a curved display housed on a 38 inch frame. It also offers WQHD+ resolution. This is much higher than the normal WQHD resolution. Therefore, you get more pixels on the screen.

One highly unique feature of this monitor is that it manages to offer a response time of 1 ms despite the fact that it has an IPS panel. Although the native response time is 5 ms GTG, its motion blur reduction technology allows it to maintain a response time of 1 ms.

If you know your panels well, then you will also know that 1 ms response is usually reserved for TN panel monitors.

Furthermore, this monitor offers 99% coverage of sRGB color gamut for great color details. It also offers USB Type C and USB 3.o quick charging port. You should be able to connect this monitor with a Macbook.

As far as the sound is concerned, this monitor excels in that. We know that sound isn’t a priority for most monitors. This monitor challenges that notion. It offers 2 x 10 Watt speakers with rich bass that can be connected via Bluetooth.

8. ASUS PA329Q – 32 Inch – 4K with DCI P3, Rec. 709, Rec. 2021

If you are looking for the best stuff in the market for film editing, then firstly you have to make sure that you have fairly deep pockets. This is a monitor that can put serious dent in your wallet, but for all the right reasons.

This is a huge 32 inch monitor with a high end IPS display. This monitor not only covers the Rec. 709 color space for HD TVs, it also covers Rec. 2021 for Ultra HD TVs and DCI-P3 for projections devices like projectors.

On top of that, it not only covers the sRGB color space but also the Adobe RGB color space. Adobe RGB is generally considered to be reserved only for the cream of the high performance monitors. This color space is essential for producing content for print media like magazines.

Other than that, this monitor comes with several high end core features like a large 32 inch screen, 4k resolution, HDR 10,  14 Bit 3D LUT that gives you 4.39 trillion colors, as well as factory calibration with Delta E < 2.

As far as the performance is concerned, this is one of the best monitors for film editing. However, it costs may put you off.

People Also Ask (FAQs)

What Features to Look for in the Best Monitors for Film Editing?

Preferences change from person to person. Some may have a constrained budget, whereas others might be looking for a specific feature. In general here is the break down of the features that should concern you.

Size and Resolution

This should be obvious. However, with other activities like gaming, size and resolution is a luxury. For you as a film editor, these features are a necessity.

As a rule of thumb, the larger the screen size and resolution, the more comfortable your editing efforts will be.

Why? because more than any other field, film editing requires the most screen real estate. You need to fit a plethora of views, windows, panels and, most importantly, the timelines on the display.

You need to fit all this while having sufficient space for the software workspace.

You can get multiple monitors to assist you with this or you can get a single ultra widescreen monitor with a large screen size.

Colors

Although color enhancing features are more often used by photo editors and graphic designers, these features are also highly necessary for video editing.

Features like 100% coverage of sRGB or REC color gamut and HDR10 capability are some of the features that you may want.

Learn about the best monitors for content creators.

Panels

There are three types of panels that are widely used: TN, IPS and VA.

TN is worst in terms of color reproduction and suffers from bad viewing angles, however, it has the fastest response time and tends to offer higher refresh rates at a much cheaper price tag. Thus this panel is excellent for GAMING. As a film editor, stay away from these.

The most ideal is IPS. IPS has the best color reproduction and also wide viewing angles. You will often find that most high end professional monitors feature IPS panels.

VA panels are also great for colors and for film editing. They are often used in curved displays. The good thing about them is that they have the highest static contrast ratio and also do not suffer from backlight bleeding. As far as the colors are concerned, they offer superior colors to TN but they are not on par with IPS in the same price category.

Of course there are many types and grades of each panel type. An $800 IPS panel would not be the same as $150 IPS panel.

Other Important Features

There are many more features that you may be interested in such as:

What is an Aspect Ratio?

We believe that the best monitors for film editing are those with an ultrawide aspect ratio of 21:9. Aspect ratio is basically a ratio of height vs the length. The conventional 16:9 monitors are called widescreen monitors whereas 21:9 monitors are called Ultra widescreen monitors.

Ultra widescreen monitors are the industry standard for anything related to professional content creation and for an industry like film editing, these are a perfect fit.

Ultra Widescreen monitors do not have to be expensive. You will notice that some cost almost the same as their 16:9 counterparts. For example, LG 29WK600-W costs almost the same as any professional 24 inch monitor. However, the larger you go, the more expensive they tend to get.

Conclusion

Here we looked at the best monitors for film editing from various sizes as well as price ranges.

While there are excellent 16:9 aspect ratio monitors our there, we believe that the right monitors for film editing are ultrawide monitors with 21:9 aspect ratio.

On top of that, we believe that a suitable film editing monitor should have decent colors and try to cover at least the sRGB color space for creating content for digital media like YouTube.

Of course, if you are working in a professional industry, then you will need a monitor that supports billions of colors, comes factory calibrated and offers color space coverage of gamuts like DCI-P3 or REC. 709/2021.

It goes without saying that the more color enhancing features a monitor possess the more expensive it tends to get.