Since film editing is a highly professional work and requires specific set of tools, a specialized monitor becomes an crucial investment In this article, we will try to find the best monitors for film editing for you.
Generally with film editing you deal with long timelines and a multitude of viewsand windows open at the same time. You need a monitor that can handle and fit all that.
Therefore, whatever we recommend will definitely NOT be your average budget oriented monitor. Here we will look at monitors that are large and provide ample real estate for multitasking.
If there is one field where multitasking monitors are a necessity, it is film editing. We will learn more about the various features for a film editing display in the FAQ section.
ASUS PA329Q – 32 Inch – 4K with DCI P3, Rec. 709, Rec. 2020
We will look at our selection briefly and tell you the essential features that separates each from the other.
1. LG 29WK600-W– 29 Inch – Full HD with sRGB
We have recommended that you go 21:9 ultrawide monitors instead of the normal 16:9 for film editing purposes (see FAQ section).
This is the most affordable 29 inch option with a 21:9 aspect ratio.
This is a great option for those who cannot afford the larger 34 inch ultrawide monitors.
The 29 inch has about 30% more real estate than a conventional 24 inch monitor. Also, since this monitor costs almost the same as a professional 24 inch monitor, then why not get this instead?
This monitor has a resolution of 2560×1080. This is commonly abbreviated as FHD+ since this is higher than the normal FHD 1920×1080 resolution.
Other than that, this monitor also includes color precision features like 99% sRGB coverage. sRGB defines the industry standard for digital media. Therefore, if you are planning on creating videos for the online sphere like making youtube videos, then this will help.
It also offers other features like on-screen split and AMD Freesync. Although they won’t matter much with film editing efforts, they are still great to have.
In the end, if you want an affordable option, then this is one of the best monitors for film editing in 2019.
This is much similar to LG 29WK600-W above, however, it boasts a much larger 34 inch screen size. The great thing about this monitor is that it is highly affordable for its size.
The only drawback on this monitor is that despite having a large size, it only offers FHD+ resolution. For most, this would be lacking. Most would expect a monitor of this size to at least offer WQHD resolution.
Unfortunately, WQHD 34 inch monitors are expensive and thus not suitable for everyone. This monitor does have other great features especially in the color department.
Firstly it has 99% sRGB coverage. Along with that, it offers support for HDR10. Therefore, as far as the colors are concerned, you will love this monitor.
All in all, if you want an affordable but a larger option, then we recommend this as one of the best monitors for film editing.
If you are looking for a professional monitor that covers the Rec. 709 color space then this is highly recommended.
If you are a professional film editor, you would certainly know how important it is to work within an industry defined color space for a certain medium. Rec. 709 is the color space defined for HD videos.
Therefore, if you are producing content to be watched on TV, then this is one of the best monitors for film editing.
If you are creating content for digital medium like monitors and smartphones, then this monitor also covers the sRGB color space.
Furthermore, this monitor comes with a plethora of modes that can help you with your creation. It has a CAD/CAM mode if you are into engineering simulations.
It also has Animation mode that should seriously come in handy in the film creation. Lastly, it comes with a Darkroom mode for post processing environments.
This is our top recommended best monitor for film editing. This is because it combines functionality as well as affordability and therefore it would interest a vast majority of the people.
For starters, this monitor has a 34 inch display with Ultra WQHD resolution. This resolution is ideal for monitor of this size.
A larger resolution like this means you get a lot of pixels to work on. If you are dealing with long timelines and a lot of views, then you need a high resolution and screen real estate that can fit all that.
Besides that, this monitor also offers PIP/PBP feature. These two features allows you to display two video sources simultaneously on the display and also allows you adjust the screen of each source.
As far as the colors are concerned, since this monitor offers a VA panel, they are not as great as those produced by IPS panel.
However, it does offer one of the highest static contrast ratio of 3000:1. Therefore, if you want to see deeper blacks, then this would interest you.
6. Samsung C34J791– 34 Inch – Curved with Thunderbolt 3.0 for Mac
So you want a high standard monitor that connects with Mac? Be warned, however, that you will need to pay a hefty amount in order to enjoy this piece of beauty.
Now, the price of this monitor is justifiable. This monitor offers WQHD resolution on a 34 inch monitor. As far as the resolution and screen size is concerned, there is nothing extraordinary. You can get these at half the price as seen with Samsung LS34J550WQNXZA.
The distinguishing aspects of this monitor include curved display, 2 x thunderbolt 3.0 (USB Type C) ports and of course, the exclusive Quantum Dot display.
This monitor is perhaps the best in terms of color reproduction. It offers an sRGB coverage of not just 99% but 125%. Along with that it comes factory calibrated colors so you don’t have to spend hours tweaking it.
Lastly, this has a static contrast ratio that is thrice the conventional monitors thanks to its VA panel. Therefore, as far as the colors are concerned, this is one the best monitors for film editing.
It also boasts a refresh rate of 100 Hz. As you may know, conventional monitors have a refresh rate of merely 60 Hz. A higher refresh rate makes your motion smoother and also puts less strain on your eyes.
With all these aspects combined, the price for this monitor is quite justified. This monitor also offers fairly loud speakers.
So when it comes to displays especially for work like film editing, size matters. You simply cannot have enough of screen real estate for your timelines.
Therefore, if your budget allows, you should consider having a look at 38 inch ultrawide monitors.
This monitor boasts an IPS panel on a curved display housed on a 38 inch frame. It also offers WQHD+ resolution. This is much higher than the normal WQHD resolution. Therefore, you get more pixels on the screen.
One highly unique feature of this monitor is that it manages to offer a response time of 1 ms despite the fact that it has an IPS panel. Although the native response time is 5 ms GTG, its motion blur reduction technology allows it to maintain a response time of 1 ms.
If you know your panels well, then you will also know that 1 ms response is usually reserved for TN panel monitors.
Furthermore, this monitor offers 99% coverage of sRGB color gamut for great color details. It also offers USB Type C and USB 3.o quick charging port. You should be able to connect this monitor with a Macbook.
As far as the sound is concerned, this monitor excels in that. We know that sound isn’t a priority for most monitors. This monitor challenges that notion. It offers 2 x 10 Watt speakers with rich bass that can be connected via Bluetooth.
Essential: IPS, 38″, 3840 x 1600, 99% sRGB, AMD FreeSync, 1 ms response time Connections: 2 x USB Type C (Thunderbolt 3), DP, HDMI, USB Hub ResponseTime: 5 ms but with Motion Blue Reduction to 1 ms Speakers: 2 x 10 Watts w/ Bluetooth connectivity
A wide 38 inch curved screen offering WQHD+ resolution giving aesthetic view of the images on bigger screen.
A very fast response time of 1 ms due to the motion blur reduction technology making working with motions easier.
Editors can work with digital media space due to the coverage of 99% of sRGB space.
It has USB type C and USB 3.0 quick charging port which means better connectivity options.
High volume speaker with option of Bluetooth connection can enable you to add and listen to better sound effects.
A very expensive choice making it popular only among experts.
It has a moderate static contrast ratio
It is not factory calibrated with Delta E < 2 which means lower color accuracy.
8. ASUS PA329Q– 32 Inch – 4K with DCI P3, Rec. 709, Rec. 2020
If you are looking for the best stuff in the market for film editing, then firstly you have to make sure that you have fairly deep pockets. This is a monitor that can put serious dent in your wallet, but for all the right reasons.
This is a huge 32 inch monitor with a high end IPS display. This monitor not only covers the Rec. 709 color space for HD TVs, it also covers Rec. 2020 for Ultra HD TVs and DCI-P3 for projections devices like projectors.
On top of that, it not only covers the sRGB color space but also the Adobe RGB color space. Adobe RGB is generally considered to be reserved only for the cream of the high performance monitors. This color space is essential for producing content for print media like magazines.
Other than that, this monitor comes with several high end core features like a large 32 inch screen, 4k resolution, HDR 10, 14 Bit 3D LUT that gives you 4.39 trillion colors, as well as factory calibration with Delta E < 2.
As far as the performance is concerned, this is one of the best monitors for film editing. However, it costs may put you off.
What Features to Look for in the Best Monitors for Film Editing?
Preferences change from person to person. Some may have a constrained budget, whereas others might be looking for a specific feature. In general here is the break down of the features that should concern you.
Size and Resolution
This should be obvious. However, with other activities like gaming, size and resolution is a luxury. For you as a film editor, these features are a necessity.
As a rule of thumb, the larger the screen size and resolution, the more comfortable your editing efforts will be.
Why? because more than any other field, film editing requires the most screen real estate. You need to fit a plethora of views, windows, panels and, most importantly, the timelines on the display.
You need to fit all this while having sufficient space for the software workspace.
You can get multiple monitors to assist you with this or you can get a single ultra widescreen monitor with a large screen size.
Although color enhancing features are more often used by photo editors and graphic designers, these features are also highly necessary for video editing.
Features like 100% coverage of sRGB or REC color gamut and HDR10 capability are some of the features that you may want.
There are three types of panels that are widely used: TN, IPS and VA.
TN is worst in terms of color reproduction and suffers from bad viewing angles, however, it has the fastest response time and tends to offer higher refresh rates at a much cheaper price tag. Thus this panel is excellent for GAMING. As a film editor, stay away from these.
The most ideal is IPS. IPS has the best color reproduction and also wide viewing angles. You will often find that most high end professional monitors feature IPS panels.
VA panels are also great for colors and for film editing. They are often used in curved displays. The good thing about them is that they have the highest static contrast ratio and also do not suffer from backlight bleeding. As far as the colors are concerned, they offer superior colors to TN but they are not on par with IPS in the same price category.
Of course there are many types and grades of each panel type. An $800 IPS panel would not be the same as $150 IPS panel.
Other Important Features
There are many more features that you may be interested in such as:
PIP/PBP: This allows you to connect multiple sources to a single monitor and display them both at the same time next to each other.
High Refresh Rate: A higher refresh rate means smoother video. However, monitors with higher than the conventional 60 Hz refresh rate are expensive.
Design: No one likes to work on a bland looking monitor. If you want to uplift the mood in your office, then design is essential. In that case, you can also look at monitors with curved displays that can also improve your immersion
Thunderbolt 3 USB Type – C: For the Mac users this is perhaps the most important feature. Therefore, if you are a Macbook user and want to connect via USB Type C, make sure that the monitor has that too.
Aspect Ratio: See below
This video explain what to look for in a film editing monitor.
What is an Aspect Ratio?
We believe that the best monitors for film editing are those with an ultrawide aspect ratio of 21:9. Aspect ratio is basically a ratio of height vs the length. The conventional 16:9 monitors are called widescreen monitors whereas 21:9 monitors are called Ultra widescreen monitors.
Ultra widescreen monitors are the industry standard for anything related to professional content creation and for an industry like film editing, these are a perfect fit.
Ultra Widescreen monitors do not have to be expensive. You will notice that some cost almost the same as their 16:9 counterparts. For example, LG 29WK600-W costs almost the same as any professional 24 inch monitor. However, the larger you go, the more expensive they tend to get.
Here we looked at the best monitors for film editing from various sizes as well as price ranges.
While there are excellent 16:9 aspect ratio monitors our there, we believe that the right monitors for film editing are ultrawide monitors with 21:9 aspect ratio.
On top of that, we believe that a suitable film editing monitor should have decent colors and try to cover at least the sRGB color space for creating content for digital media like YouTube.
Of course, if you are working in a professional industry, then you will need a monitor that supports billions of colors, comes factory calibrated and offers color space coverage of gamuts like DCI-P3 or REC. 709/2020.
It goes without saying that the more color enhancing features a monitor possess the more expensive it tends to get.